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    廣告英語語言特色

    前言:本站為你精心整理了廣告英語語言特色范文,希望能為你的創(chuàng)作提供參考價值,我們的客服老師可以幫助你提供個性化的參考范文,歡迎咨詢。

    廣告英語語言特色

    摘要

    廣告,顧名思義就是廣而告之。作為一種宣傳和傳播信息模式,廣告的作用不容忽視,因?yàn)樗粌H只是一種說服顧客進(jìn)行消費(fèi)的技巧,更重要的是,它已逐漸成為社會交流的必須手段之一。本文通過對大量英語廣告實(shí)例進(jìn)行分析,并參照國外著名廣告人GuyCook等的理論,詳細(xì)剖析了廣告英語的語言特點(diǎn)。

    廣告在我們今天的社會幾乎是無孔不入,它的傳播介質(zhì)多種多樣,包括報紙、雜志、電視、廣播、網(wǎng)絡(luò)等。廣告具有鮮明的目的性,即說服顧客進(jìn)行購買,這種目的性決定了其語言的特色性風(fēng)格,使其獨(dú)立于其它文體,在語言學(xué)范疇內(nèi)值得研究。本文選定英語這一全球普遍使用的語言,就其應(yīng)用于廣告領(lǐng)域而產(chǎn)生的一些語言學(xué)特點(diǎn)和廣告本身的社會性特點(diǎn)進(jìn)行深入分析,希望能對相關(guān)領(lǐng)域的研究有一定的借鑒作用和參考價值。

    本文共分為五章,第一章追溯了廣告的起源,對廣告的分類、作用及定義做了簡單概要;第二章介紹了廣告和文體學(xué)的基本定義,廣告中,文字和圖像的完美結(jié)合取決于創(chuàng)意和所用媒體,但它們共同組成了廣告語言;第三章從句法學(xué)、修辭學(xué)、詞匯學(xué)等理論切入,用大量例子分析了廣告英語的語言特點(diǎn),并從語篇分析的角度對其語言特點(diǎn)進(jìn)行了剖析;在語篇分析的章節(jié)中,引用了GuyCook的語篇分析模型,并引入了廣告問題研究領(lǐng)域新近提出的“文章關(guān)聯(lián)性”等概念;第四章結(jié)合了第三章的觀點(diǎn),通過具體英語廣告實(shí)例對標(biāo)題中的用詞、句子結(jié)構(gòu)、稱謂模式、修辭格進(jìn)行了闡述,分析了廣告語言對廣告效果的影響;最后一章指出了廣告英語發(fā)展的口語化和簡單化趨勢及其目前存在的模糊性語言特點(diǎn),揭開了廣告華麗詞藻下所掩蓋的非真實(shí)的廣告氛圍,批判了其模糊性誤導(dǎo)消費(fèi)者的消極一面。

    關(guān)鍵詞:廣告;廣告英語;語言特點(diǎn)

    Abstract

    Asawayofpropagatingandtransmittinginformation,advertising’sroleconnotbeunderestimatedbecauseitisnotonlyanartfultechniqueinpersuadingpeopletobuy,butalsograduallyhasbecomeamustforsocialcommunicationwhichinturninfluencesthedevelopmentofsocietyandeconomy.ThepurposeofthispaperistostudythelinguisticfeaturesandsociologicalfeaturesofadvertisingEnglish,inthehopetohelpcopywritersathomemarketsintheircreatingprocess.

    Nowadaysadvertisinghaspenetratedintoeverycornerofourlifeasitstransmittingmediainmanyforms:newspaper,magazine,TV,radioaswellasnetwork.Thegoalofadvertisingdecidesitslanguagetobesimpleanddirect,distinctfromthecharacteristicsofotherdiscourses.ThusananalysisonthelinguisticfeaturesofadvertisingEnglishinthelinguisticfieldisworthwhile.Undersuchcircumstances,astudyonthelinguisticfeaturesofadvertisingEnglishwillhavepracticaleffectsonthecomposingandtranslatingworkofthecopywriters.

    Thewholepaperisdividedintofivechapters.Thefirstchaptertracesbacktheoriginofadvertisingandabriefintroductionontheclassifications,rolesanddefinitionsofadvertisingispresentedforthelaterdiscussion.

    Thesecondchapterintroducesthetheoryofadvertisementsandstylistics,theprecisebalanceofwords(eitherspokenorwritten)andpicturesisdeterminedbythecreativeconceptandthemediumused,butthecombinationofimagesandwordsmakesupthelanguageofadvertising.

    Thethirdchapterstartsfromthetheoriesinsyntax,lexicology,rhetoricandendswiththelinguisticfeaturesanalyzedinthefieldofdiscourseanalysis.

    ThefourthchaptercombinestheviewpointsfromthepreviouschapterthirdandexplorestheeffectoftheadvertisingEnglishasawholeadvertisingprocess.Thelastchapter,alsotheconclusionpart,showsthatthoughadvertisinglanguageappearstobefloweryandrefined,itscontentisnobetterthancommonestlanguagecouldconvey.Byexposingthevarioustechniquesadvertisershaveemployedintheirwriting,thisparthopestoremindconsumersthatadvertisingEnglishisgraduallyattainingthenegativeandambiguousroleinguidingpeopletobuy.

    Keywords:Advertising,AdvertisingEnglish,LinguisticFeatures

    Chapter1Introduction

    NootherstatementcouldhavesummedupthecharmofadvertisementthanwhatAldousHuxleyhascommented.Ashehassaidadvertisementasaliteraryformisthemostexciting,themostarduousliteraryformofall,andthemostpregnantincuriouspossibilities.Inhiscommentheassertedadvertisementisaliteraryformandthecopywritingprocessisthedelightfulandsalubriousexerciseforthemind.Butallinall,whatisadvertising,andwhatmakesitunique?

    1.1HistoryofAdvertisement

    Advertisementemergedfromthewombofcommodityproductionandexchange.Theconditionfortheexistenceofadvertisingis“atleastasegmentofthepopulationmustliveabovethesubsistencelevel”.Whenthissituationoccursitalsobecomesnecessaryfor“theproducersofmaterially‘unnecessary’goodstodosomethingtomakepeoplewanttoacquiretheircommodities.”(VestergaardandSchroder4)

    Theembryonicformofadvertisingintheworldisstreetcries,whichexisteventoday.AdvertisingwasnotunknowninancientGreeceandRome,butadvertisingaswerecognizeitdidnotstartuntiltheseventeenthcenturyintheWest.Itwasataboutthistimethatnewspaperbegantocirculate.Beforethat,itisprintingwhichwasfirstinventedinChinaandthenintroducedtotheWestthatplayedavitalroleintheproductionofprintadvertising.“Classified”(smallads)typesofadvertisingweredominantbeforethenineteenthcenturyandstyleandlanguageusedinadsatthattimetendedtobedirectandinformative.TheindustrialRevolution,whichbeganinEnglandinthemid-1700sandreachedtheUnitedStatesbytheearly1800s,facilitatedmass-productionofgoods.Meanwhileadvertisingbecamemoreandmoreimportantintheindustrialmarket.Thegreatbreakthroughforadvertisingcameonlyinthelatenineteenthcentury.Technologyandmass-productiontechniqueswerethensufficientlydevelopedformorefirmstobeabletoturnoutproductsofroughlythesamequalityandatroughlythesameprice.Thisbroughtonacrisisofover-productionandunderconsumptionwhichmeantthatthemarketneededtobestimulatedbyadvertising.Atthistimeadvertisingchangeditsfunctionfromproclamationtopersuasion.Inthetwentiethcentury,advertisingdevelopedrapidlyalongsidetheadventofnewmedia-radioandtelevisioninsuccession.

    AccordingtoRichardPollay’scontentanalysisoftwothousandprintadsfromtenleadingmagazinesintheUSA,adshaveprogressivelyturnedtowardstheemotionalratherthantheinformativeapproachandthereisashiftseeinghumannatureasrationaltoseemingitasemotional.

    TodayinChina,whileoureconomicstructureisshiftingfromtheentirelyplannedeconomytothesocialistmarketeconomysystem,advertisingisbecomingmoreandmoreactiveandsophisticated.In1992,China’sadvertisingexpenditurereached$862million,amongthefastestgrowingcountriesinAsia.ThisyearwiththeentryofChinaintoWTO,thisexpenditurefigurewillundoubtedlyriseup,whichwillsupporttheviewthatadvertisingisanindispensablemeansforprovidingtheinformationthatallmarket-orientedindustrializedsocietiesneedfortheireconomiestofunctionefficiently.

    1.2ClassificationsofAdvertising

    Advertisingmaybeclassifiedbymedium(newspaper,magazine,radio,television).Bytargetaudience(consumer,industrial,business),bygeography(international,national,regional,local),orbyitsfunctionorpurpose(productornon-product,commercialornoncommercial,primarydemandorselectivedemand,directactionorindirectaction).

    BecauseitisdifficulttogainaccesstoenoughdateforEnglishcommercialsandadsonradioorTV,thus,thesubjectofthisresearchpaperwillmainlyconcentrateontheprintadvertising.

    1.3RolesofAdvertising

    Anadvertiser’smainpurposeistopresentandexhibitproductorservice,andtospreadtheinfluenceandcoverageofwhichtotheextentthatthepotentialpurchasingpopulationbecomesrealandactual.Simplyput,advertiserstrybythevariousmeansattheirdisposaltogetpeopletobuytheproductorserviceadvertised.Moreover,advertiserswantpotentialpurchaserstoconsiderwhatisadvertisedtotheexclusionofallothersimilarproductsorservices.Theythereforeattempttoconstructanadvertisementthatwillfullyinvolvetheattentionofthepotentialpurchaserandwhichwillhaveapersuasiveeffect.Advertisersthuscreateasemioticworldinordertopersuadetheiraudienceofessential“rightness”ofpurchasingtheproductorserviceadvertised.

    1.4DefinitionsofAdvertising

    Afterabriefintroductionoftheclassificationsandrolesofadvertising,wenowcometothedefinitionsofadvertising.Fromdifferentperspectivesorpurposes,thedefinitionsmightalsovary.InEnglish,theword“advertise”hasitsoriginin“advertere”inLatin,meaning“toinformsomebodyofsomething”,“tobringintonotice”or“todrawattentiontosomething”,etc.InChinese,theequivalentterm“guanggao”means“widelyannounce”.

    Thefatherofmodernadvertising,AlbertLaskersaidthatadvertisingwas“salesmanshipinprint”.Althoughthedefinitionwasgivenlongbeforetheadventofradioandtelevision,andthenatureandscopeofadvertisingatthattimewereconsiderablydifferentthantheyaretoday,thisoften-repeatedsayingindicatesthattheultimateobjectiveofadvertisingistosell.Obviouslyitisnotaworkingdefinitionbecausewecannotuseittocoveralladvertisements.Today,awidelyquotedworkingdefinitionofadvertisingwasputforwardbyCourtlandL.BoveeandWilliamF.Arens:”Advertisingisthenonpersonalcommunicationofinformation,usuallypaidforandusuallypersuasiveinnature,aboutproducts(goodsorservices)orideasbyidentifiedsponsorsthroughvariousmedia.”(Cook,Guy.TheDiscourseofAdvertising.London:Routledge,1992)

    AnotherlinguistBolendefinesadvertisingasa“Paid,non-personalcommunicationthroughvariousmassmediabybusinessfirms,nonprofitorganizations,andindividualswhoareinsomewayidentifiedinthemessageandwhohopetoinformorpersuademembersofaparticularaudience.”(Carter,RonaldandGoddard,Angela,ReahDanutaetal.WorkingwithTexts.London:Routledge,1997)

    Ifthedefinitionsofadvertisingweretoovagueandabstracttocomprehend,afewwordsofitsfunctionwouldhelptoclarifythiscrucialterm.Broadlyspeaking,advertisementshaveatleastoneoftwofunctions:informingorpersuading,althoughoverlapmayoftentakeplaceinonesinglepiece.Thetrickhereisthataninformativeadvertisementinforms“thecustomeraboutgoods,services,orideasandthentellshowtogetthemmeansofanidentifiedsponsor”(Bolen6).Examplesofinformativeadvertisementsarenotafew,rangingfromflyerstoinsertionsinmagazineandnewspapers,allofthataimtoadvertisenewproducts/servicesorspecialpricesoncertainproducts/services.Thistypeofadvertisementgivesbasic,factualinformationandsometimesshowsaphotosoranillustrationoftheproduct/servicetogivethetargetaudienceabetterviewabouttheadvertisedproduct.

    Persuasiveadvertisementsarethustheinstrumentsusedbyadvertisers“whohavedefinedtheirtargetaudiencesanddeterminedtheeffecttheyhopetoachievethroughpersuasiveadvertisementsinthemedia”(Bolen9).Andapersuasiveadvertisementshouldtrytopersuadethepotentialcustomerstobuythenewproduct.(Bolen6)Thepersuasivefunctionisnotonlylimitedtoattractingthepotentialcustomerintobuyingacertainobject,butalsoincludingthesellingofservices,ideas,normsandvalues.

    Tosummarize,wewouldgettheideathatfirstlyadvertisingisacommunicationprocess.Secondly,atleastamediumisused.Thirdly,thiscommunicationprocesshasadefinitepurposetoconvincethetargetaudience.Theabovethreecharacteristicssuggestadvertisingiscloselyconnectedwiththesociety,employingitsmedia,interconnectingwithitspeopleandguidingtheirbuyinghabit.Alsoinachievingtheadvertisingeffect,theadvertisinglanguageshouldbevividandattractive,whoselinguisticcharacteristicswouldbecoveredintheChapter3.

    Chapter2TheoreticalBackground

    .1Advertisement

    2.1.1DefinitionandGoal

    Advertisingisthepaid,impersonalcommunicationofinformationaboutproductsorideasbyanidentifiedsponsorthroughmassmediainanefforttopersuadeorinfluencebehavior.Notalladvertisingisalike.Advertisementsdifferdependingonwhothemessageisintendedfor,wheretheadvertisementisshown,whichmediaareused,andwhattheadvertiserwantstoaccomplish.(seeTable2.1)

    Table2.1

    Advertisingcanbeclassifiedinfourways:bytarget,geographicarea,mediaused,andpurpose.

    ByTarget

    ByGeographicArea

    ByMediaUsed

    ByPurpose

    Audience

    Consumer

    Business:

    Industrial

    TradeProfessional

    Agriculture

    International

    National

    Regional

    Local

    Print:

    Newspaper

    Magazine

    Electronic:

    Radio

    Television

    Internet

    Out-of-home:

    Outdoor

    Transit

    Directmail

    Directories

    Othermedia

    Productiveornonproductive

    Commercialornoncommercial

    Primarydemandorselectivedemand

    Directactionorindirectaction

    Thepurposeofcopywritingistopersuadeorremindpeopletotakesomeactiontosatisfyaneedorwant.Butfirstpeopleneedtobemadeawareoftheproblemor,iftheproblemisobvious,ofasolution.Tocreateawareness,thecopywritermustfirstgetpeople’sattention—forexample,byusinglargetypeandprovocativevisuals.Next,thecopywritermuststimulatetheprospect’sinterestintheproductandbuildcredibilityfortheproductclaims.Thenthecopywriterfocusesongeneratingdesireandfinallyonstimulatingaction.Thesefiveaspectsshouldbepresentineveryadvertisementorcommercial.

    Hereistheadvertisingpyramid.

    2.1.2ElementsofanAdvertisement

    Asonewillsee,anyadvertisementismadeupofseveralelements.Mostadvertisementsusedallofthem.Theyincludetheheadlineordisplayline;theillustration;thebodycopyortext;thethemelineorslogan,tradecharacter,seal,andothermarks;andthelogotypeorsignature.Eachwillbeconsideredinsomedetailbelow.

    (1)Headlines

    Theheadlineordisplaylineappearsinmostadvertisementsforseveralreasons.First,itisanattention-gettingdevice;secondly,italsoselectsanaudiencebyappealingtoaspecificgroup,asthislinedose:Arthriticsreducepainfulinflammationandgetstomachupsetprotection.(Anadformedicine)Finally,itisthekeyfactoringettingpeopletoreadthebodycopy.

    (2)Illustration

    Inadditiontoheadlines,mostadvertisementscontainillustrations.Theillustrationliketheheadline,attractsattention,selectstheaudience,andstimulatesinterestinbodycopy.Whatismore,theillustrationcanbeinvaluableinshowingtheproductorproductuseandexplaininggraphicallycertainideasorsituationsthatarecumbersometoputintowords.Theoldsayingthatonepictureisworthathousandwordshasmuchmeritinit.

    (3)BodyCopy

    Tobeginwith,someexplanationofthewordcopyisnecessary.Thejobofbodycopyistostimulateinterestintheproductorserviceorideabeingadvertised,createsdesireforit,andurgeaction.Thisisabigtaskandcallsforrightwords.Althoughheadlinesandillustrationscleartheway,itisbodycopythatmustcarrytheburdenofthesellingjob.

    (4)Themelines,slogan,tradecharacters,sealandothermarks

    Anumberofdifferentmarksanddevicesmayappearinanadvertisement,includingthemelines,tradecharacters,andseals;Forexample,GeneralFoodsusesthecorporateidentitysymbolinallitsadvertisements.Theautomaticuseoftheseelementsintheadvertisement,however,doesnotdiminishtheirimportance.

    2.2Stylistics

    2.2.1TheNeedforStylistics

    WhentalkingabouttheEnglishlanguage,oneshouldnotbemisledintothinkingthatthelabelshouldinsomewayrefertoareadilyidentifiableobjectinreality,whichhecanisolateandexamineinaclassroomasatest-tubemixture,apieceofrockorapoem.ThelabeloftheEnglishlanguageisinfactacomplexofmanydifferent‘varieties’oflanguageinuseinallkindsofsituationsinmanypartsoftheworld.Naturally,allthesevarietieshavemuchmoreincommonthandifferentiatesthem-theyareallclearlyvarietiesofonelanguage,English.Butatthesametime,eachvarietyisdefinablydistinctfromalltheothers.

    AsaneducatedspeakerofEnglish,astudentofEnglishis,inasense,multilingual:forinthecourseofdevelopinghiscommandoflanguage,hehasencounteredalargenumberofvarieties,andtocertainextent,haslearnednowtousethem.Aparticularsocialsituationmakeshimrespondwithanappropriatevarietyoflanguage,thelanguageofconversation,thelanguageofnewspaperreporting,thelanguageofadvertisingandsoon.Butwhatisstylistics?

    2.2.2Definition

    Inthepast,menhavebeenintriguedwithstyleandmanystudentsofhumancommunicationhaveofferedtheirideasaboutit.Someareconcernedwithclarity-orlucidity,asAristotlecalledit.ForthisancientGreekcritic,itwasimportantthatthespeakerorwriternotonlyhasideasbutthathesaysthem‘intherightway’,awayanaudiencecanunderstandclearly.Healsosaidthatstyleshouldbeneitherabovenorbelowthedignityofthesubjectbutmustbe‘a(chǎn)ppropriate’.Anotherstudentoflanguageandhumanuseofit,theScottishwriterGeorgeCampbell,alsobelievedwords(theauthor’sdictionorwordchoice)werethefoundationofstyle.Hebelievedthebeststylecomesfromdictionthatthelistenernoticessolittlethatheisbarely‘consciousthatitisthroughthismediumdictionheseesintothespeaker’sthoughts’(ThesenseofstylebyGeoffreyN.Leech).Butunfortunately,theydonotclarifymattersgreatly,atleastfourcommonlyoccurringsensesofthetermstyleneedtobedistinguished.

    Stylemayrefertosomeorallofthelanguagehabitsofoneperson-aswhenpeopletalkofShakespeare’sstyle(orstyles),orthestyleofJamesJoyce.Moreoften,itreferstoaselectionoflanguagehabits,sharedbyagroupofpeopleatonetime,oroveraperiodoftime,aswhenwetalkaboutthestyleoftheAugustanpoets,thestyleofOldEnglish‘heroic’poetry,thestyleinwhichcivilservicesformsarewritten,orstylesofpublic-speaking.

    Styleisgivenamorerestrictedmeaningwhenitisusedinanevaluativesense,referringtotheeffectivenessofamodeofexpression.Thisisimpliedbysuchpopulardefinitionsofstyleas‘sayingtherightthinginthemosteffectiveway’oras‘goodmanners’.(InvestingEnglishstylebyDavidCrystal&DerekDavy)

    Partlyoverlappingwiththethreesensesjustoutlinedisthewidespreaduseofthewordstyletorefersolelytoliterarylanguage.Stylehaslongbeenassociatedprimarilyorexclusivelywithliterature,asacharacterized‘good’,‘effective’,or‘beautiful’writing.

    Oftheabovefoursenses,thefirstandsecondcomenearesttowhatismeantbystyle.Asastarting-point,theaimofstylisticsistoanalyzelanguagehabitswiththemainpurposeofidentifyingfromthegeneralmassoflinguisticfeaturescommontoEnglishasusedoneveryconceivableoccasion.Thosefeatureswhicharerestrictedtocertainkindsofsocialcontextaretoexplain,wherepossible,whysuchfeatureshavebeenused,asopposedtootheralternatives,andtoclassifythesefeaturesintocategoriesbaseduponaviewoftheirfunctioninthesocialcontext.

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